OnStage Resume
Variations on Courage* Rapid Lemon Productions
I Wanna Ride a Pony Nancy
So Brave Zombie
Shades of Honor James
Fires and Forms Wife
Lily, Arthur Connie Baltimore Playwrights Fest
Nutcracker! Magical Christmas Ballet Soprano Hippodrome Theatre
The Face of Emmett Till Carolyn Bryant Arena Players
Clybourne Park Bev/Kathy Arena Players
St. Eastover’s Spring Break Shamrock Shake & Eleganza! Self Single Carrot Theatre
Coming and Going - Solo Cabaret Self Stillpointe-Theatre
The Revelation of Bobby Pritchard Kathy Iron Crow Theatre Company
A Christmas Memory Narrator/Singer Iron Crow Theatre Company
The Soldier Dreams Nurse Iron Crow Theatre Company
I Want To Be A Gay Icon! Self Iron Crow Theatre Company with Johns Hopkins University
Queer Bathroom Monologues Woman Iron Crow Theatre Company with Towson University
Hedwig and the Angry Inch Yitzhak Iron Crow Theatre Company
In Durang’s Shorts
Medea Medea Iron Crow Theatre Company
Phyllis and Xenobia Xenobia Iron Crow Theatre Company
Variations on Hope Run of the Mill Theatre
Talking on the Inside Woman
Lucky Me Rod Serling/Tank Girl
Bob and Marlene Marlene
* Denotes Fight Captain
Photo by Britt Olsen-Ecker
The Revelation of Bobby Pritchard by Rich Espey
The Revelation of Bobby Pritchard by Rich Espey
The Revelation of Bobby Pritchard by Rich Espey
A Soldier Dreams by Daniel MacIvor
I Want To Be A Gay Icon! by Sarah Lynn Taylor
I Want To Be A Gay Icon! by Sarah Lynn Taylor
I Want To Be A Gay Icon! by Sarah Lynn Taylor
Hedwig and the Angry Inch by John Cameron Mitchell
Hedwig and the Angry Inch by John Cameron Mitchell
Hedwig and the Angry Inch by John Cameron Mitchell
Hedwig and the Angry Inch Rehearsals
Hedwig and the Angry Inch Rehearsals
Medea by Christopher Durang
Medea by Christopher Durang
Medea by Christopher Durang
Phyllis and Xenobia Rehearsals
Phyllis and Xenobia Rehearsals
Medea Rehearsals
Medea Rehearsals
Variations on Hope
Variations on Hope
Fires and Forms
So Brave
I Wanna Ride a Pony
During the pandemic, Sarah Lynn was invited to sing with the Coronavirus Cabaret - an online performance venture that raised money for The Actors Fund. This performance has been added to the Library of Congress archive, documenting the adaptation of artists during this period.
Reviews
“Sarah Lynn Taylor nailed the part of Kathy, the picture of southern charm with acerbic undercurrents…”
Nancy Murray, BMore Art
“Sarah Lynn Taylor brings a lot to the less flashy role of Yitzhak, seemingly a bystander and hanger-on, he is truly a catalyst in the redemption of the singer.”
Ben Ryland, Baltimore OUTloud
“Taylor will knock your socks off with her vocal renditions. When she goes from octave to octave it’s electrifying and she can hit high notes right out of the theater.”
Alison Bunting, Cumberland Times-News
“While Kathy (Sarah Lynn Taylor) is not a focal point of the show, but rather an antagonizing factor, it is Taylor’s duel performance, as Kathy— the mother of Mary Charles— and as Momma from young Marta and Hank’s past, that shines and stands out among this ensemble of six. Having the sharpest and clearest of southern accents, Taylor defines both of these female characters through shifts in their demeanors. As Kathy she is extremely obnoxious and pushy, veiling these atrocious traits through thinly contrived southern charm. Her character’s troglodytic mindset drives her histrionic emotional surges that drive the character to be dynamically noticeable. The conversation that Taylor has with Porter’s character near the very end of the production, despite its humorous undertones, is truly impressive. As the subdued but understanding Momma, Taylor imbues such heartfelt love into this character that it is difficult not to cry at her plight.”
Amanda N. Gunther, Theatre Bloom
“There are many things to admire in “The Revelation of Bobby Pritchard,” beginning with its fractured structure – which appears to reflect the many fractured truths in this town. In addition, playwright Espey avoids the easy trap of portraying all small-town southerners as one-dimensional; Mary’s mother, in particular, is woman of great love and understanding. Sarah Lynn Taylor is exceptional -- double cast as both this warm character and a woman who is her narrow-minded, polar opposite.”
J. Wynn Rousuck, WYPR
“Sarah Lynn Taylor displayed outstanding vocal skills, energy and enthusiasm and a good sense of LGBT history which can never be understated…”
Steve Charing, Baltimore OUTloud